About the Institution
Elsie Fogerty founded The Central School of Speech Training and Dramatic Art at the Royal Albert Hall in 1906. Fogerty was a specialist in speech training and held a firm belief in the social importance of education. She was committed to advancing the study of theatre as an academic discipline. In 1957 the School moved from the Albert Hall, having acquired the lease of the Embassy Theatre at Swiss Cottage and its associated buildings. By 1961 three distinct departments had been established within Central. The Stage department was running its three-year course for actors, with alumni as distinguished as Lord Olivier and Dame Peggy Ashcroft already a part of its history, and a two-year course for stage managers. The Teacher Training department was preparing students for its own Diploma, which was a recognised teaching qualification, and for the London University Diploma in Dramatic Art. That diploma had been instituted in 1912 precisely as a result of Fogerty's campaign for the recognition of drama and drama teaching as subjects worthy of serious academic study. By this time the School was as famous for its Speech Therapy department as for its work in training actors. The School continued to expand. In 1972 Central became grant-aided by the Inner London Education Authority. In 1989 it was incorporated as a higher education college in its own right and funded directly by government. Central had been offering degrees since 1986, firstly validated by the Council of National Academic Awards and from 1992 by the Open University. Apart from its famous alumni, who include Laurence Olivier, Vanessa Redgrave, Judi Dench, Cameron Mackintosh and Harold Pinter, the School has had some famous staff. In the 1960s Yat Malmgren taught movement, based on principles derived from Laban; Cicely Berry taught voice to students and later the Royal Shakespeare Company; John Allen, Principal from 1972 to 1978, founded the Glyndebourne Children's Theatre, was the leading organiser of the Communist Party's Unity Theatre, where he coordinated the first Living Newspaper, Busmen (1937), and was a founding member of the Group Theatre, also in the mid-1930s; Litz Pisk was Head of Movement (1964-1970), having previously worked with Bertolt Brecht and ...

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